An accomplished writer and philosopher, Roger is currently a Research Professor for the Institute for the Psychological Sciences where he teaches philosophy at their graduate school in both Washington and Oxford. He is a specialist in aesthetics with particular attention to music and architecture.
Roger has published more than 30 books and has written many articles and essays in various academic and non-academic journals. He also has written widely in the press on political and cultural issues.
FOOLS, FRAUDS AND FIREBRANDS: THINKERS OF THE NEW LEFT
The thinkers who have been most influential on the attitudes of the New Left are examined in this study by one of the leading critics of leftist orientations in modern Western civilization. Scruton begins with a ruthless analysis of New Leftism and concludes with a critique of the key strands in its thinking. He conducts a reappraisal of such major left-wing thinkers as: E. P. Thompson, Ronald Dworkin, R. D. Laing, Jurgen Habermas, Gyorgy Lukacs, Jean-Paul Sartre, Jacques Derrida, Slavoj Zizek, Ralph Milliband and Eric Hobsbawm. In addition to assessments of these thinkers’ philosophical and political contributions, the book contains a biographical and bibliographical section summarizing their careers and most important writings.
In Thinkers of the New Left Scruton asks, what does the Left look like today and as it has evolved since 1989? He charts the transfer of grievances from the working class to women, gays and immigrants, asks what can we put in the place of radical egalitarianism, and what explains the continued dominance of antinomian attitudes in the intellectual world? Can there be any foundation for resistance to the leftist agenda without religious faith?
Scruton’s exploration of these important issues is written with skill, perception and at all times with pellucid clarity. The result is a devastating critique of modern left-wing thinking.
PUBLISHER: Bloomsbury Continuum
PUBLICATION DATE: 8th October 2015
The environment has long been the undisputed territory of the political Left, which has seen the principal threats to the earth as issuing from international capitalism, consumerism and the over-exploitation of natural resources. In Green Philosophy, Roger Scruton shows the fallacies behind that way of thinking, and the danger that it poses to the ecosystems on which we all depend. Scruton contends that the environment is the most urgent political problem of our age, and sets out the principles that should govern our efforts to protect it. The current environmental movement directs its energies at the bigger picture but fails to see that environmental problems are generated and resolved by ordinary people. In Green Philosophy, Scruton argues that conservatism is far better suited to tackle environmental problems than either liberalism or socialism. He shows that rather than entrusting the environment to unwieldy NGOs and international committees, we must assume personal responsibility and foster local sovereignty. People must be empowered to take charge of their environment, to care for it as a home, and to affirm themselves through the kind of local associations that have been the traditional goal of conservative politics. Our common future is by no means assured, but as Roger Scruton clearly demonstrates in this important book, there is a path that we can take which could ensure the future safety of our planet and our species.
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference. Here, the renowned philosopher Roger Scruton explores the concept of beauty, asking what makes an object – either in art, in nature, or the human form – beautiful, and examining how we can compare differing judgements of beauty when it is evident all around us that our tastes vary so widely. Is there a right judgement to be made about beauty? Is it right to say there is more beauty in a classical temple than a concrete office block, more in a Rembrandt than in last year’s Turner Prize winner? Forthright and thought-provoking, and as accessible as it is intellectually rigorous, this introduction to the philosophy of beauty draws conclusions that some may find controversial, but, as Scruton shows, help us to find greater sense of meaning in the beautiful objects that fill our lives.
PUBLICATION DATE: March 2009