Barney Norris is a critically acclaimed playwright, poet and author. For his debut full-length play Visitors, which ran at that Arcola before transferring to the Bush in November 2014, he won the Critics Circle Award 2014 for Most Promising Playwright. He was also shortlisted for the prestigious Evening Standard Theatre Awards for Most Promising Playwright, the Writers Guild of Great Britain 2014 award for Best Play and the Best New Play Award at the Off West End Theatre Awards 2014. Visitors received rave star reviews in publications such as the Guardian, The Times, the Telegraph and the New York Times. His first non-fiction book Bodies Gone: The Theatre of Peter Gill was published by Seren in February 2014, and his first book of poetry, Falling, was published by Playdead Press. He is the co-artistic director of theatre company Up in Arms, and from the autumn of 2015 will be the Martin Esslin Playwright in Residence at Keble College, Oxford. He has a BA (Hons) from the University of Oxford and an MA (Hons) from Royal Holloway, University of London. He is currently working on his first novel.
For playwriting, Barney is represented by Rozzy Wyatt at Judy Daish Associates.
TO BODIES GONE: THE THEATRE OF PETER GILL
The first study of one of the most significant voices of modern international theatre, one of Wales’s leading writers, and one of the most compelling and beautiful bodies of artistic work in the last fifty years. Written by an assistant and friend with an intimate and personal knowledge of Gill’s processes and values, To Bodies Gone explores a career extraordinary in its consistency, developing the clear ideas set of early productions that reach extraordinary heights in the mature work. The principle theme is the aesthetic Gill introduced to theatre, and which has remained the bedrock of his work, in its various manifestations and developments across several decades. Norris terms this the ‘theatre of Van Gogh’ – just as Van Gogh stared at a pair of boots and revealed them as beautiful by the way he saw and by giving them the light of attention, so Gill’s work as a writer and director has consistently revealed the daily world as extraordinary. Analysing the phases of his career in broadly chronological, this study places Gill in the wider context of the theatre, providing a snapshot of theatre in the second half of the twentieth century and contributing new insights to the study of theatre history. To Bodies Gone includes chapters on Gill’s early work, influences (Lawrence, Chekhov, Beckett), his translations and adaptations (Lawrence, Chekhov, Wedekind, Faulkner), his directing career at the Royal Court, Riverside Studios, National Theatre and NT Studio, plus his major plays – Small Change, Kick for Touch, In the Blue, Cardiff East, The York Realist and his 2014 set at the Versailles peace conference. The result is a major study full of insight into Gill and into British Theatre.
PUBLICATION DATE: 27th February 2014